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Bach Bibliography Search Result |
Series : ^MTheoryOnline$Your search has generated the following results ...
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Max number of results shown : 300
Output sorted : serially (table)
| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Aarden, Bret; Von Hippel, Paul | Rules for chord doubling (and spacing): Which ones do we need? http://www.mtosmt.org/issues/mto.04.10.2/mto.04.10.2.aarden_hippel.html | MTheoryOnline | 10 | 2 |
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| | 2. | Aarden, Bret; Von Hippel, Paul | Rules for Chord Doubling (and Spacing): A Reply To Wibberley. Commentary. http://www.mtosmt.org/issues/mto.04.10.3/mto.04.10.3.aarden_hippel.html | MTheoryOnline | 10 | 3 |
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| | 3. | Sobaskie, James William | Contextual drama in Bach. http://www.mtosmt.org/issues/mto.06.12.3/mto.06.12.3.sobaskie.html | MTheoryOnline | 12 | 3 |
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| | 4. | Reed, Jacob; Bain, Matthew | A Tetrahelix Animates Bach: Revisualization of David Lewin's Analysis of the Opening of the F Minor Fugue from WTC I http://www.mtosmt.org/issues/mto.07.13.4/mto.07.13.4.reed_bain.html | MTheoryOnline | 13 | 4 |
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| | 5. | Martens, Peter A. | Glenn Gould's 'Constant Rhythmic Reference Point': Communicating Pulse in Bach's Goldberg Variations, 1955 and 1981 http://www.mtosmt.org/issues/mto.07.13.4/mto.07.13.4.martens.html | MTheoryOnline | 13 | 4 |
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| | 6. | Amiot, Emmanuel | Discrete Fourier Transform and Bach's Good Temperament. http://www.mtosmt.org/issues/mto.09.15.2/mto.09.15.2.amiot.html | MTheoryOnline | 15 | 2 |
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 | 7. | Fitzpatrick, Michael | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. http://www.mtosmt.org/issues/mto.11.17.1/mto.11.17.1.fitzpatrick.html [BWV 859/2 -- compared with Reed and Bain Tonnetz design] | MTheoryOnline | 17 | 1 |
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| | 8. | Davis, Stacey | Stream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. http://www.mtosmt.org/issues/mto.11.17.1/mto.11.17.1.davis.html | MTheoryOnline | 17 | 1 |
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| | 9. | Barolsky, Daniel; Martens, Peter | Rendering the Prosaic Persuasive: Gould and the Performance of Bach's C-minor Prelude (WTC I) http://mtosmt.org/issues/mto.12.18.1/mto.12.18.1.barolsky_martens.pdf | MTheoryOnline | 18 | 1 | 8p |
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| | 10. | Byros, Vasili | Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach. http://www.mtosmt.org/issues/mto.15.21.3/mto.15.21.3.byros.html | MTheoryOnline | 21 | 3 | 33p |
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| | 11. | Lewin, David B. | The D Major Fugue Subject from WTC II: Spatial Saturation? http://www.mtosmt.org/issues/mto.98.4.4/mto.98.4.4.lewin.html | MTheoryOnline | 4 | 4 | [1-16] |
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| | 12. | Wibberley, Roger | J. S. Bach's Prelude and Fugue in E Flat (BWV 552, 1/2): An Inspiration of the Heart? http://www.mtosmt.org/issues/mto.98.4.5/mto.98.4.5.wibberley.html | MTheoryOnline | 4 | 5 |
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